Last edited by Zulkibei
Thursday, August 6, 2020 | History

6 edition of The Pleasure of Modernist Music found in the catalog.

The Pleasure of Modernist Music

Listening, Meaning, Intention, Ideology (Eastman Studies in Music) (Eastman Studies in Music)

by Arved Ashby

  • 176 Want to read
  • 19 Currently reading

Published by University of Rochester Press .
Written in English

    Subjects:
  • The Arts: General Issues,
  • Music/Songbooks,
  • Instruction & Study - Appreciation,
  • Music,
  • History & Criticism - General,
  • Music / History & Criticism,
  • History and criticism,
  • 20th century,
  • Modernism (Music)

  • The Physical Object
    FormatHardcover
    Number of Pages416
    ID Numbers
    Open LibraryOL8779818M
    ISBN 101580461433
    ISBN 109781580461436

      All the while, the swift prose is a pleasure, the intelligence crackling, the capacious readings of Britten’s operas indispensable."—Seth Brodsky, author of From , or European Music and the Modernist Unconscious.   The author. Associate professor of literary studies at The New School for Liberal Arts in New York City, Laura Frost grew up in Seattle and its suburbs “before grunge and before the Microsoft millionaires. Now I live in New York, in downtown Manhattan, with my six-year-old son and my husband, a professor who specialises in computer vision and artificial intelligence.

    ADVENTURES OF THE MIN D • By AARON COPLAND hat music gives pleasure is axiomatic. IX-cause this is so, the pleasures of music may seem a rather elemen­ tary subject for discussion. Yel the source of that pleasure, our musical instinct. is not at all elementary-it is. in fact, one of the prime puzzles of consciousness. "Vhy is it. Introduction to The Book of Pleasure By Kenneth Grant First published in The Book of Pleasure, Austin Osman Spare was born at Snowhill, London, in Apart from William Blake, John Martin, Aubrey Beardsley, Sidney Sime, and a mere handful of others, England has produced no artist to equal Spare for sheer ability and imaginative fecundity.

    () Location. Bothell Way NE, #A; Lake Forest Park WA ; Map; Hours. Monday to Thursday: 9am to 9pm; Friday to Saturday: 9am to 10pm.   Pollock’s Modernism provides a new interpretation of the art of Jackson Pollock (–), one that is based on a phenomenological investigation of the pictorial effects of particular paintings. Focusing on major works that span the artist’s career – including Mural (), Cathedral (), Number 1A, , One: Num , and Portrait and a Dream () – Michael .


Share this book
You might also like
The quality of democracy in Eastern Europe

The quality of democracy in Eastern Europe

Managing the challenges of the federal government transition

Managing the challenges of the federal government transition

Darwins finches

Darwins finches

The Blue plaque guide

The Blue plaque guide

Medical Surgical Nursing 3/e and Hogan Med Surg

Medical Surgical Nursing 3/e and Hogan Med Surg

The Spirit of 76

The Spirit of 76

Foreign medical graduates in the United States

Foreign medical graduates in the United States

How to live dangerously

How to live dangerously

Finnish folk poetry and the Kalevala

Finnish folk poetry and the Kalevala

Henderson Island

Henderson Island

Sheep River, Alberta

Sheep River, Alberta

Employee benefits survey, 1992

Employee benefits survey, 1992

The Pleasure of Modernist Music by Arved Ashby Download PDF EPUB FB2

Echoing the title of an earlier book (Henry Pleasants' The Agony of Modern Music, a dreary compendium of all that was wrong with the world of modern music), this new volume serves as both a retort to Pleasants' gloomy old report of falling skies, and gives notice (by use of the radical word "pleasure") that many of us have found the music of the twentieth century and beyond to offer far more 5/5(2).

The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann.

The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film Price: $   The Pleasure of Modernist Music presents the reader with a significant array of possible listening strategies for music otherwise dismissed as un-listenable Where these essays overlap is as fascinating as where they diverge in that the overlapping reveals the compositions, personalities, and ideologies most influential in a musical /5(9).

The Pleasure of Modernist Music presents the reader with a significant array of possible listening strategies for music otherwise dismissed as un-listenable Where these essays overlap is as fascinating as The Pleasure of Modernist Music book they diverge in that the overlapping reveals the compositions, personalities, and ideologies most influential in a musical.

In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Ashby, Eastman Studies in Music. Rochester, NY: University of Rochester Press. ISBN Bernstein, David W., John Rockwell, and Johannes Goebel. The San Francisco Tape Music Center: s Counterculture and the Avant-garde.

Get this from a library. The pleasure of modernist music: listening, meaning, intention, ideology. [Arved Mark Ashby;]. Get this from a library. The pleasure of modernist music: listening, meaning, intention, ideology.

[Arved Mark Ashby;] -- "The debate over modernist music has continued for almost a century. The composers discussed in these pages - including Bela Bartok, Karlheinz Stockhausen, Bernard Herrmann, Steve Reich, and many.

The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology by Arved Ashby A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear.

Echoing the title of an earlier book (Henry Pleasants' The Agony of Modern Music, a dreary compendium of all that was wrong with the world of modern music), this new volume serves as both a retort to Pleasants' gloomy old report of falling skies, and gives notice (by use of the radical word "pleasure") that many of us have found the music of the twentieth century and beyond to offer far more 5/5.

Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press. ISBN Whitesell, Lloyd. "Twentieth-Century Tonality, or, Breaking Up Is Hard to Do". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, – Rochester: University of Rochester Press.

If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it asserted itself in the vanguard. Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time.

It offers not only important statements by composers and critics, but also musical speculations by poets, novelists.

In music, modernism is a philosophical and aesthetic stance underlying the period of change and development in musical language that occurred around the. Arved Ashby is Professor of Music at the Ohio State University.

He is the editor of The Pleasure of Modernist Music, and has published articles on twelve-tone composition, film music, minimalism, and Frank Zappa. He was an American Musicological Society (AMS) 50 Dissertation Fellow, and won the AMS Alfred Einstein Award in Modernism and Music provides a rich selection of texts on this moment, some translated into English for the first time.

It offers not only important statements by composers and critics, but also musical speculations by p If in earlier eras music may have seemed slow to respond to advances in other artistic media, during the modernist age it /5. The Pleasure of Modernist Music () - Arved Ashby [] The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the.

The first full-length analytical study of Edward Elgar's music, this book argues that Elgar was a modernist composer, and that his music constitutes a pessimistic twentieth-century Cited by: Alexandra Harris on Modernism.

Modernism is about form more than content, says the scholar of English literature. Some people might call Flaubert a modernist. Other people talk about Henry James as a modernist. Five Books aims to keep its book recommendations and interviews up to date. Alfred Eric Leslie Satie (Honfleur, 17 May -- Paris, 1 July ) was a French composer and pianist.

Starting with his first composition in. Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind.

He and his contemporaries, including James Joyce, T. Eliot, Gertrude Pages:. Modernism in Music. Four Characteristics.

1. The desire to “make it new.” No less than artists and writers, composers and musicians were fascinated by the possibilities of new, previously unheard of modes of expression, new techniques, and new aesthetic as well as cultural effects.

The twelve tone system (or serialism) as an attempt to get beyond the earlier experiments with “atonality.Explore releases from The Modernist at Discogs. Shop for Vinyl, CDs and more from The Modernist at the Discogs Marketplace. Fromor European Music and the Modernist Unconscious, by Seth Brodsky.

Oakland: University of California Press, xvi, pp. An unspoken mystery haunts From why, after so many shifts in critical taste and so many cultural revolutions, does musical modernism endure? Seth Brodsky's monumental effort maps the entwined destinies of music, psychoanalysis, modernism, Author: Amy Bauer.